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58. The Joyous, Lake

Above
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The Joyous, Lake
Below
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The Joyous, Lake

This hexa­gram, like Sun, is one of the eight formed by dou­bling of a tri­gram. The tri­gram Tui de­notes the youngest daugh­ter; it is sym­bol­ized by the smil­ing lake, and its at­tribute is joy­ous­ness. Con­trary to ap­pear­ances, it is not the yield­ing qual­i­ty of the top line that ac­counts for joy here. The at­tribute of the yield­ing or dark prin­ci­ple is not joy but melan­choly. How­ev­er, joy is in­di­cat­ed by the fact that there are two strong lines with­in, ex­press­ing them­selves through the medi­um of gen­tle­ness. True joy, there­fore, rests on firm­ness and strength with­in, man­i­fest­ing it­self out­ward­ly as yield­ing and gen­tle.

The Judgement

THE JOYOUS. Success.
Perseverance is favorable.

The joy­ous mood is in­fec­tious and there­fore brings suc­cess. But joy must be based on stead­fast­ness if it is not to de­gen­er­ate into un­con­trolled mirth. Truth and strength must dwell in the heart, while gen­tle­ness re­veals it­self in so­cial in­ter­course. In this way one as­sumes the right at­ti­tude to­ward God and man and achieves some­thing. Under cer­tain con­di­tions, in­tim­i­da­tion with­out gen­tle­ness may achieve some­thing mo­men­tar­i­ly, but not for all time. When, on the other hand, the hearts of men are won by friend­li­ness, they are led to take all hard­ships upon them­selves will­ing­ly, and if need be will not shun death it­self, so great is the power of joy over men.

The Image

Lakes resting one on the other:
The image of THE JOYOUS.
Thus the superior man joins with his friends
For discussion and practice.

A lake evap­o­rates up­ward and thus grad­u­al­ly dries up; but when two lakes are joined they do not dry up so read­i­ly, for one re­plen­ish­es the other. It is the same in the field of knowl­edge. Knowl­edge should be a re­fresh­ing and vi­tal­iz­ing force. It be­comes so only through stim­u­lat­ing in­ter­course with con­ge­nial friends with whom one holds dis­cus­sion and prac­tices ap­pli­ca­tion of the truths of life. In this way learn­ing be­comes many-sided and takes on a cheer­ful light­ness, where­as there is al­ways some­thing pon­der­ous and one-sided about the learn­ing of the self­‑­taught.

The Lines

Nine at the beginning means:
Contented joyousness. Good fortune.

A quiet, word­less, self-con­tained joy, de­sir­ing noth­ing from with­out and rest­ing con­tent with every­thing, re­mains free of all ego­tis­tic likes and dis­likes. In this free­dom lies good for­tune, be­cause it har­bors the quiet se­cu­ri­ty of a heart for­ti­fied with­in it­self.

Nine in the second place means:
Sincere joyousness. Good fortune.
Remorse disappears.

We often find our­selves as­so­ci­at­ing with in­fe­ri­or peo­ple in whose com­pa­ny we are tempt­ed by plea­sures that are in­ap­pro­pri­ate for the su­pe­ri­or man. To par­tic­i­pate in such plea­sures would cer­tain­ly bring re­morse, for a su­pe­ri­or man can find no real sat­is­fac­tion in low plea­sures. When, rec­og­niz­ing this, a man does not per­mit his will to swerve, so that he does not find such ways agree­able, not even du­bi­ous com­pan­ions will ven­ture to prof­fer any base plea­sures, be­cause he would not enjoy them. Thus every cause for re­gret is re­moved.

Six in the third place means:
Coming joyousness. Misfortune.

True joy must spring from with­in. But if one is empty with­in and whol­ly given over to the world, idle plea­sures come stream­ing in from with­out. This is what many peo­ple wel­come as di­ver­sion. Those who lack inner sta­bil­i­ty and there­fore need amuse­ment, will al­ways find op­por­tu­ni­ty of in­dul­gence. They at­tract ex­ter­nal plea­sures by the empti­ness of their na­tures. Thus they lose them­selves more and more, which of course has bad re­sults.

Nine in the fourth place means:
Joyousness that is weighed is not at peace.
After ridding himself of mistakes a man has joy.

Often a man finds him­self weigh­ing the choice be­tween var­i­ous kinds of plea­sures, and so long as he has not de­cid­ed which kind he will choose, the high­er or the lower, he has no inner peace. Only when he clear­ly rec­og­nizes that pas­sion brings suf­fer­ing, can he make up his mind to turn away from the lower plea­sures and to strive for the high­er. Once this de­ci­sion is sealed, he finds true joy and peace, and inner con­flict is over­come.

Nine in the fifth place means:
Sincerity toward disintegrating influences is dan
gerous.

Dan­ger­ous el­e­ments ap­proach even the best of men. If a man per­mits him­self to have any­thing to do with them, their dis­in­te­grat­ing in­flu­ence acts slow­ly but sure­ly, and in­evitably brings dan­gers in its train. But if he rec­og­nizes the sit­u­a­tion and can com­pre­hend the dan­ger, he knows how to pro­tect him­self and re­mains un­harmed.

Six at the top means:
Seductive joyousness.

A vain na­ture in­vites di­vert­ing plea­sures and must suf­fer ac­cord­ing­ly (cf. the six in the third place). If a man is un­sta­ble with­in, the plea­sures of the world that he does not shun have so pow­er­ful an in­flu­ence that he is swept along by them. Here it is no longer a ques­tion of dan­ger, of good for­tune or mis­for­tune. He has given up di­rec­tion of his own life, and what be­comes of him de­pends upon chance and ex­ter­nal in­flu­ences.