xián

31. Influence (Wooing)

Above
duì
The Joyous, Lake
Below
gèn
Keeping Still, Mountain

The name of the hexa­gram means “uni­ver­sal,” “gen­er­al,” and in a fig­u­ra­tive sense “to in­flu­ence,” “to stim­u­late.” The upper tri­gram is Tui, the Joy­ous; the lower is Ken, Keep­ing Still. By its per­sis­tent, quiet in­flu­ence, the lower, rigid tri­gram stim­u­lates the upper, weak tri­gram, which re­sponds to this stim­u­la­tion cheer­ful­ly and joy­ous­ly. Ken, the lower tri­gram, is the youngest son; the upper, Tui, is the youngest daugh­ter. Thus the uni­ver­sal mu­tu­al at­trac­tion be­tween the sexes is rep­re­sent­ed. In courtship, the mas­cu­line prin­ci­ple must seize the ini­tia­tive and place it­self below the fem­i­nine prin­ci­ple. Just as the first part of book I be­gins with the hexa­grams of heav­en and earth, the foun­da­tions of all that ex­ists, the sec­ond part be­gins with the hexa­grams of courtship and mar­riage, the foun­da­tions of all so­cial re­la­tion­ships.

The Judgement

Influence. Success.
Perseverance furthers.
To take a maiden to wife brings good fortune.

The weak el­e­ment is above, the strong below; hence their pow­ers at­tract each other, so that they unite. This brings about suc­cess, for all suc­cess de­pends on the ef­fect of mu­tu­al at­trac­tion. By keep­ing still with­in while ex­pe­ri­enc­ing joy with­out, one can pre­vent the joy from going to ex­cess and hold it with­in prop­er bounds. This is the mean­ing of the added ad­mo­ni­tion, “Per­se­ver­ance fur­thers,” for it is per­se­ver­ance that makes the dif­fer­ence be­tween se­duc­tion and courtship; in the lat­ter the strong man takes a po­si­tion in­fe­ri­or to that of the weak girl and shows con­sid­er­a­tion for her. This at­trac­tion be­tween affini­ties is a gen­er­al law of na­ture. Heav­en and earth at­tract each other and thus all crea­tures come into being. Through such at­trac­tion the sage in­flu­ences men’s hearts, and thus the world at­tains peace. From the at­trac­tions they exert we can learn the na­ture of all be­ings in heav­en and on earth.

The Image

A lake on the mountain:
The image of influence.
Thus the superior man encourages people to
approach him
By his readiness to receive them.

A moun­tain with a lake on its sum­mit is stim­u­lat­ed by the mois­ture from the lake. It has this ad­van­tage be­cause its sum­mit does not jut out as a peak but is sunken. The image coun­sels that the mind should be kept hum­ble and free, so that it may re­main re­cep­tive to good ad­vice. Peo­ple soon give up coun­sel­ing a man who thinks that he knows every­thing bet­ter than any­one else.

The Lines

Six at the beginning means:
The influence shows itself in the big toe.

A move­ment, be­fore it is ac­tu­al­ly car­ried out, shows it­self first in the toes. The idea of an in­flu­ence is al­ready present, but it is not im­me­di­ate­ly ap­par­ent to oth­ers. As long as the in­ten­tion has no vis­i­ble ef­fect, it is of no im­por­tance to the out­side world and leads nei­ther to good nor to evil.

Six in the second place means:
The influence shows itself in the calves of the legs.
Misfortune.
Tarrying brings good fortune.

In move­ment, the calf of the leg fol­lows the foot; by it­self it can nei­ther go for­ward nor stand still. Since the move­ment is not self-gov­erned, it bodes ill. One should wait qui­et­ly until one is im­pelled to ac­tion by a real in­flu­ence. Then one re­mains un­in­jured.

Nine in the third place means:
The influence shows itself in the thighs.
Holds to that which follows it.
To continue is humiliating.

Every mood of the heart in­flu­ences us to move­ment. What the heart de­sires, the thighs run after with­out a mo­ment’s hes­i­ta­tion; they hold to the heart, which they fol­low. In the life of man, how­ev­er, act­ing on the spur of every caprice is wrong and if con­tin­ued leads to hu­mil­i­a­tion. Three con­sid­er­a­tions sug­gest them­selves here. First, a man should not run pre­cip­i­tate­ly after all the per­sons whom he would like to in­flu­ence, but must be able to hold back under cer­tain cir­cum­stances. As lit­tle should he yield im­me­di­ate­ly to every whim of those in whose ser­vice he stands. Fi­nal­ly, where the moods of his own heart are con­cerned, he should never ig­nore the pos­si­bil­i­ty of in­hi­bi­tion, for this is the basis of human free­dom.

Nine in the fourth place means:
Perseverance brings good fortune.
Remorse disappears.
If a man is agitated in mind,
And his thoughts go hither and thither,
Only those friends
On whom he fixes his conscious thoughts
Will follow.

Here the place of the heart is reached. The im­pulse that springs from this source is the most im­por­tant of all. It is of par­tic­u­lar con­cern that this in­flu­ence be con­stant and good; then, in spite of the dan­ger aris­ing from the great sus­cep­ti­bil­i­ty of the human heart, there will be no cause for re­morse. When the quiet power of a man’s own char­ac­ter is at work, the ef­fects pro­duced are right. All those who are re­cep­tive to the vi­bra­tions of such a spir­it will then be in­flu­enced. In­flu­ence over oth­ers should not ex­press it­self as a con­scious and willed ef­fort to ma­nip­u­late them. Through prac­tic­ing such con­scious in­cite­ment, one be­comes wrought up and is ex­haust­ed by the eter­nal stress and strain. More­over, the ef­fects pro­duced are then lim­it­ed to those on whom one’s thoughts are con­scious­ly fixed.

Nine in the fifth place means:
The influence shows itself in the back of the neck.
No remorse.

The back of the neck is the most rigid part of the body. When the in­flu­ence shows it­self there, the will re­mains firm and the in­flu­ence does not lead to con­fu­sion. Hence re­morse does not enter into con­sid­er­a­tion here. What takes place in the depths of one’s being, in the un­con­scious, can nei­ther be called forth nor pre­vent­ed by the con­scious mind. It is true that if we can­not be in­flu­enced our­selves, we can­not in­flu­ence the out­side world.

Six at the top means:
The influence shows itself in the jaws, cheeks, and
tongue.

The most su­per­fi­cial way of try­ing to in­flu­ence oth­ers is through talk that has noth­ing real be­hind it. The in­flu­ence pro­duced by such mere tongue wag­ging must nec­es­sar­i­ly re­main in­signif­i­cant. Hence no in­di­ca­tion is added re­gard­ing good or bad for­tune.