kùn

47. Oppression (Exhaustion)

Above
duì
The Joyous, Lake
Below
kǎn
The Abysmal, Water

The lake is above, water below; the lake is empty, dried up. Ex­haus­tion is ex­pressed in yet an­oth­er way: at the top, a dark line is hold­ing down two light lines; below, a light line is hemmed in be­tween two dark ones. The upper tri­gram be­longs to the prin­ci­ple of dark­ness, the lower to the prin­ci­ple of light. Thus every­where su­pe­ri­or men are op­pressed and held in re­straint by in­fe­ri­or men.

The Judgement

Oppression. Success. Perseverance.
The great man brings about good fortune.
No blame.
When one has something to say,
It is not believed.

Times of ad­ver­si­ty are the re­verse of times of suc­cess, but they can lead to suc­cess if they be­fall the right man. When a strong man meets with ad­ver­si­ty, he re­mains cheer­ful de­spite all dan­ger, and this cheer­ful­ness is the source of later suc­cess­es; it is that sta­bil­i­ty Vhich is stronger than fate. He who lets his spir­it be bro­ken by ex­haus­tion cer­tain­ly has no suc­cess. But if ad­ver­si­ty only bends a man, it cre­ates in him a power to react that is bound in time to man­i­fest it­self. No in­fe­ri­or man is ca­pa­ble of this. Only the great man brings about good for­tune and re­mains blame­less. It is true that for the time being out­ward in­flu­ence is de­nied him, be­cause his words have no ef­fect. There­fore in times of ad­ver­si­ty it is im­por­tant to be strong with­in and spar­ing of words.

The Image

There is no water in the lake:
The image of EXHAUSTION.
Thus the superior man stakes his life
On following his will.

When the water has flowed out below, the lake must dry up and be­come ex­haust­ed. That is fate. This sym­bol­izes an ad­verse fate in human life. In such times there is noth­ing a man can do but ac­qui­esce in his fate and re­main true to him­self. This con­cerns the deep­est stra­tum of his being, for this alone is su­pe­ri­or to all ex­ter­nal fate.

The Lines

Six at the beginning means:
One sits oppressed under a bare tree
And strays into a gloomy valley.
For three years one sees nothing.

When ad­ver­si­ty be­falls a man, it is im­por­tant above all things for him to be strong and to over­come the trou­ble in­ward­ly. If he is weak, the trou­ble over­whelms him. In­stead of pro­ceed­ing on his way, he re­mains sit­ting under a bare tree and falls ever more deeply into gloom and melan­choly. This makes the sit­u­a­tion only more and more hope­less. Such an at­ti­tude comes from an inner delu­sion that he must by all means over­come.

Nine in the second place means:
One is oppressed while at meat and drink.

This pic­tures a state of inner op­pres­sion. Ex­ter­nal­ly, all is well, one has meat and drink. But one is ex­haust­ed by the com­mon­places of life, and there seems to be no way of es­cape. Then help comes from a high place. A prince—in an­cient China princes wore scar­let knee bands—is in search of able helpers. But there are still ob­struc­tions to be over­come. There­fore it is im­por­tant to meet these ob­struc­tions in the in­vis­i­ble realm by of­fer­ings and prayer. To set forth with­out being pre­pared would be dis­as­trous, though not moral­ly wrong. Here a dis­agree­able sit­u­a­tion must be over­come by pa­tience of spir­it.

Six in the third place means:
A man permits himself to be oppressed by stone,
And leans on thorns and thistles.
He enters his house and does not see his wife.
Misfortune.

This shows a man who is rest­less and in­de­ci­sive in times of ad­ver­si­ty. At first he wants to push ahead, then he en­coun­ters ob­struc­tions that, it is true, mean op­pres­sion only when reck­less­ly dealt with. He butts his head against a wall and in con­se­quence feels him­self op­pressed by the wall. Then he leans on things that have in them­selves no sta­bil­i­ty and that are mere­ly a haz­ard for him who leans on them. There­upon he turns back ir­res­olute­ly and re­tires into his house, only to find, as a fresh dis­ap­point­ment, that his wife is not there. Con­fu­cius says about this line: If a man per­mits him­self to be op­pressed by some­thing that ought not to op­press him, his name will cer­tain­ly be dis­graced. If he leans on things upon which one can­not lean, his life will cer­tain­ly be en­dan­gered. For him who is in dis­grace and dan­ger, the hour of death draws near; how can he then still see his wife?

Nine in the fourth place means:
He comes very quietly, oppressed in a golden
carriage.
Humiliation, but the end is reached.

A well-to-do man sees the need of the lower class­es and would like very much to be of help. But in­stead of pro­ceed­ing with speed and en­er­gy where there is need, he be­gins in a hes­i­tant and mea­sured way. Then he en­coun­ters ob­struc­tions. Pow­er­ful and wealthy ac­quain­tances draw him into their cir­cle; he has to do as they do and can­not with­draw from them. Hence he finds him­self in great em­bar­rass­ment. But the trou­ble is tran­si­to­ry. The orig­i­nal strength of his na­ture off­sets the mis­take he has made, and the goal is reached.

Nine in the fifth place means:
His nose and feet are cut off.
Oppression at the hands of the man with the purple
knee bands.
Joy comes softly.
It furthers one to make offerings and libations.

An in­di­vid­ual who has the good of mankind at heart is op­pressed from above and below (this is the mean­ing of the cut­ting off of nose and feet). He finds no help among the peo­ple whose duty it would be to aid in the work of res­cue (min­is­ters wore pur­ple knee bands). But lit­tle by lit­tle, things take a turn for the bet­ter. Until that time, he should turn to God, firm in his inner com­po­sure, and pray and offer sac­ri­fice for the gen­er­al well‑be­ing.

Six at the top means:
He is oppressed by creeping vines.
He moves uncertainly and says, “Movement brings
remorse.”
If one feels remorse over this and makes a start,
Good fortune comes.

A man is op­pressed by bonds that can eas­i­ly be bro­ken. The dis­tress is draw­ing to an end. But he is still ir­res­olute; he is still in­flu­enced by the pre­vi­ous con­di­tion and fears that he may have cause for re­gret if he makes a move. But as soon as he grasps the sit­u­a­tion, changes this men­tal at­ti­tude, and makes a firm de­ci­sion, he mas­ters the op­pres­sion.